Andy Warhol Movies

“More than eighty reels of film made up Warhol’s 1967 epic double-screen, twenty-five-hour film **** (FOUR STARS). Reel 20 –...

Documentarians Juan Drago and Bruce Torbet follow a surprisingly relaxed and open Andy Warhol, at the peak of his powers in 1965 and 1966, around his...

Mario Montez in drag eats a banana.

A young woman named Phoebe Russell, is filmed wearing beads and a flowered dress; she gazes slightly cross-eyed at the camera, looking pretty but...

Screen test of Paul Wittenborn, by Andy Warhol.

Hal looks sternly into the camera in a darkly lit room.

A kaleidoskopic image of Andy Warhol, presumably found footage from some interview, is slowed down and played over sudden pangs of screeching white...

Susan Bottomly/International Velvet's screen test is dark as her piercing eyes stare into the camera, as Warhol plays with the lighting and zoom...

A short documentary profile of the Anthology Film Archives, shot on the eve of the move to the historic 2nd Avenue Courthouse. Staff and patrons are...

"Andy Warhol's 1966 'sequel' to his Blow Job begins with a long static shot of Gregory Battcock looking bored; small movements of his head reframe...

Charles Aberg, in a black turtleneck sweater, squints warily at the camera, which films him in a tight close-up of his head.

1 of 2 screen tests of Dan Foster, by Andy Warhol

Peter Hujar, shot in close-up, has his face lit from both sides, which creates the usual symmetrical pattern of shadows down the centre of his face.

A rare, unfinished film by Andy Warhol, Sunset is a meditation on the temporality of an everyday phenomenon. Here, a sunset over the Pacific Ocean in...

Begins with a long shot of ‘Mama’ Cass Elliot, then zooms rapidly in and out and into close-up. Halfway through, the film settles down...

Cathy James (also known as Catherine James) is posed in front of a purple background. The lighting seems not quite as severe as in her two other...

The story of Joan of Arc as applied to the present revolution in arts and more. The Gothic is applied to the War in Vietnam. The film is experimental...

Roderick Clayton looks around in all directions, squints into the light, peers upward, and turns to show both profiles.

The film begins with a close-up of a table in a restaurant covered with a checkered cloth, in a composition that strongly suggests a still life. It...